Search results for "audio-mostly"

Hits ?▲	Authors	Title	Venue	Year	Link	Author keywords
64	Mats Liljedahl, Nigel Papworth, Stefan Lindberg	Beowulf: an audio mostly game.	Advances in Computer Entertainment Technology	2007	DBLP DOI BibTeX RDF	audio-mostly, sound effects, computer game, interpretation, immersion, sound design, gameplay, imagination, soundscape
53		Proceedings of the 18th International Audio Mostly Conference, AM 2023, Edinburgh, United Kingdom, 30 August 2023- 1 September 2023	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Timothy Arterbury, G. Michael Poor, Ana Paula Arguelles Terron	Rhythmic Accuracy of 3D Spatial Interaction for Digital Music.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Alan Elliot, Iain McGregor	FASS: Firefighter Audio Safety Systems.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Hedda Lindström, Tanja Jörgensen, Rikard Lindell	Inner City in the Listener's Auditory Bubble: Altering the Listener's Perception of the Inner City through the Intervention of Composed Soundscapes: Altering the Listener's Perception of the Inner City through the Intervention of Composed Soundscapes.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Tyler Howard McIntosh, Orlando Woscholski, Mathieu Barthet	Affective Conditional Modifiers in Adaptive Video Game Music.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Katharina Groß-Vogt, Kajetan Enge, Johannes Zmölnig	Reflecting on qualitative and quantitative data to frame criteria for effective sonification design.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Maciej Tomczak, Jason Hockman	Onset Detection for String Instruments Using Bidirectional Temporal and Convolutional Recurrent Networks.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Rune Møberg Jacobsen, Kasper Fangel Skov, Mikael B. Skov, Jesper Kjeldskov	Barriers for Domestic Sound Zone Systems: Insights from a Four-Week Field Study.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Francesco Di Maggio, Atau Tanaka, David Fierro, Stephen Whitmarsh	An Interactive Modular System for Electrophysiological DMIs.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Antoine Bourachot, Tifanie Bouchara, Olivier Cornet	Impact of an audio-haptic strap to augment immersion in VR video gaming: a pilot study.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Caitlin Sales, Peiyi Wang, Yucong Jiang	An Interactive Tool for Exploring Score-Aligned Performances: Opportunities for Enhanced Music Engagement.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Thomas Deacon, Mathieu Barthet	Invoke: A Collaborative Virtual Reality Tool for Spatial Audio Production Using Voice-Based Trajectory Sketching.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Nicola Davanzo, Luca Valente, Luca Andrea Ludovico, Federico Avanzini	Kiroll: A Gaze-Based Instrument for Quadriplegic Musicians Based on the Context-Switching Paradigm.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Stuart Cunningham 0001, Iain McGregor, Jonathan Weinel, John Darby, Tony Stockman	Towards a Framework of Aesthetics in Sonic Interaction.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Raad Shariat, John Zhang	An Empirical Study on the Effectiveness of Feature Selection and Ensemble Learning Techniques for Music Genre Classification.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	K. C. Collins, Hannah Johnston	A Free Verbalization Method of Evaluating Sound Design: The Effectiveness of Artificially Intelligent Natural Language Processing Methods and Tools: The Effectiveness of Artificially Intelligent Natural Language Processing Methods and Tools.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Hanna M. Lukashevich, Sascha Grollmisch, Jakob Abeßer, Sebastian Stober, Joachim Bös	How reliable are posterior class probabilities in automatic music classification?	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Omar Shabbar, Doug Van Nort	Instrumental Agency and the Co-Production of Sound: From South Asian Instruments to Interactive Systems.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	David Geary, Jon Francombe, Kristian Hentschel, Damian T. Murphy	Using design dimensions to develop a multi-device audio experience through workshops and prototyping.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Yann Seznec, Sandra Pauletto, Cristian Bogdan, Elina Eriksson	The Sound of the Future Home Workshop: Ideating Sonic Prototypes for Sustainable Energy Consumption.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Torin Hopkins, Emily Doherty, Netta Ofer, Suibi Che-Chuan Weng, Peter Gyory, Chad Tobin, Leanne M. Hirshfield, Ellen Yi-Luen Do	Stringesthesia: Dynamically Shifting Musical Agency Between Audience and Performer Based on Trust in an Interactive and Improvised Performance.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	James Bolt, György Fazekas	Supervised Contrastive Learning For Musical Onset Detection.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Kasper Fangel Skov, Peter Axel Nielsen, Jesper Kjeldskov	Tuning Shared Hospital Spaces: Sound Zones in Healthcare.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Juan Camilo Arevalo Arboleda, Julián Villegas	Study of auditory trajectories in virtual environments.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Nicolas Bouillot, Thomas Piquet, Pierre Gilbert	Audiodice: an open hardware design of a distributed dodecahedron loudspeaker orchestra.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Justin Christensen, Shawn Kauenhofen, Janeen D. Loehr, Jennifer Lang, Shelley Peacock, Jennifer J. Nicol	MMM Duet System: New accessible musical technology for people living with dementia.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Eric Larrieux, Mélia Roger	The Air Listening Station: Bridging the gap between Sound Art and Sonification.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Andreas Bergsland, Sanket Rajeev Sabharwal	Examining the Correlation Between Dance and Electroacoustic Music Phrases: A Pilot Study.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Franco Caspe, Andrew P. McPherson, Mark B. Sandler	FM Tone Transfer with Envelope Learning.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Zih-Syuan Yang, Jason Hockman	A Plugin for Neural Audio Synthesis of Impact Sound Effects.	Audio Mostly Conference	2023	DBLP DOI BibTeX RDF
53	Luca Turchet (eds.)	AM '21: Audio Mostly 2021, Virtual Event / Trento, Italy, September 1-3, 2021	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Marcelo M. Wanderley, Travis J. West, Josh Rohs, Eduardo Meneses, Christian Frisson	The IDMIL Digital Audio Workbench: An interactive online application for teaching digital audio concepts.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Adan L. Benito Temprano, Andrew McPherson 0002	A TMR Angle Sensor for Gesture Acquisition and Disambiguation on the Electric Guitar.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Rory Hoy, Doug Van Nort	A Technological and Methodological Ecosystem for Dynamic Virtual Acoustics in Telematic Performance Contexts.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Thomas Hermann 0001, Dennis Reinsch	sc3nb: a Python-SuperCollider Interface for Auditory Data Science.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Gamar Azuaje, Kongmeng Liew, Elena V. Epure, Shuntaro Yada, Shoko Wakamiya, Eiji Aramaki	Visualyre: Multimodal visualization of lyrics.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Frederic Font	SOURCE: a Freesound Community Music Sampler.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Lauren McCall, Jason Freeman 0001	A 3D Graphic Score Space and the Creative Techniques and Performance Practices that Emerge From It.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Konstantinos Bakogiannis, Areti Andreopoulou, Anastasia Georgaki	The development of a dance-musification model with the use of machine learning techniques under COVID-19 restrictions.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Michael Iber, Bernhard Dumphart, Victor Adriel de Jesus Oliveira, Stefan Ferstl, Joschua M. Reis, Djordje Slijepcevic, Mario Heller, Anna-Maria Raberger, Brian Horsak	Mind the Steps: Towards Auditory Feedback in Tele-Rehabilitation Based on Automated Gait Classification.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Tal Boger, Ishwarya Ananthabhotla, Joseph A. Paradiso	Manipulating Causal Uncertainty in Sound Objects.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Fermin Chavez-Sanchez, Gloria Angelica Martínez de la Peña, Gloria Adriana Mendoza Franco, Erick Iroel Heredia Carrillo	Exploring Audio Game design with Visually Impaired players: A Mexican Case Study.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Duncan Williams, Ian Daly	Neuro-curation: A case study on the use of sonic enhancement of virtual museum exhibits.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Kajetan Enge, Alexander Rind, Michael Iber, Robert Höldrich, Wolfgang Aigner	It's about Time: Adopting Theoretical Constructs from Visualization for Sonification.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Lars Engeln, Nhat Long Le, Matthew McGinity, Rainer Groh 0001	Similarity Analysis of Visual Sketch-based Search for Sounds.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Jonathan Weinel	Synaesthetic Audio-Visual Sound Toys in Virtual Reality.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Chad Bullard, Ananya Kansal, Jason Freeman 0001	Comparing Chat Methods for Remote Collaborative Live-Coding Music.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Ruben Schlagowski, Silvan Mertes, Elisabeth André	Taming the Chaos: Exploring Graphical Input Vector Manipulation User Interfaces for GANs in a Musical Context.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Raul Masu, Nuno N. Correia, Teresa Romão	Technology-Mediated Musical Connections: The Ecology of a Screen-Score Performance.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Cláudio Lemos, Diogo Cocharro, Gilberto Bernardes	Understanding Cross-Genre Rhythmic Audio Compatibility: A Computational Approach.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Niklas Rönnberg	Sonification for Conveying Data and Emotion.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Feng Su, Chris Joslin	Subjective and Objective Evaluation of Procedurally-Generated Audio for Soft-Body Interactions.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Patrice Guyot, Fanny Alix, Thomas Guerin, Elie Lambeaux, Alexis Rotureau	Fish migration monitoring from audio detection with CNNs.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Rômulo Vieira, Flávio Luiz Schiavoni	Sunflower: an environment for standardized communication of IoMusT.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Nicola Davanzo, Federico Avanzini	Resin: a Vocal Tract Resonances and Head Based Accessible Digital Musical Instrument.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Gonçalo Bernardo, Gilberto Bernardes	Leveraging Compatibility and Diversity in Computational Music Mashup Creation.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Liang Men, Danqi Zhao	Designing Privacy for Collaborative Music Making in Virtual Reality.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Florian Hollerweger	Streaaam: A fully automated experimental audio streaming server.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Niccolò Pretto, Nadir Dalla Pozza, Alberto Padoan, Anthony Chmiel, Kurt James Werner, Alessandra Micalizzi, Emery Schubert, Antonio Rodà, Simone Milani, Sergio Canazza	A workflow and novel digital filters for compensating speed and equalization errors on digitized audio open-reel tapes.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Michael Quinton, Iain McGregor, David Benyon	Sonification of Planetary Orbits in Asteroid Belts.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Giorgio Presti, Daniele Adriano, Federico Avanzini, Adriano Baratè, Luca Andrea Ludovico	PhonHarp: A Hybrid Digital-Physical Musical Instrument for Mobile Phones Exploiting the Vocal Tract.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Uwe Andresen	A Concept of a Wavetable Oscillator Based on a Neural Autoencoder.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Francesco Ardan Dal Rì, Raul Masu	Zugzwang: Chess Representation Combining Sonification and Interactive Performance.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Anne Despond, Nicolas Reeves, Vincent Cusson	Atmosphéries and the poetics of the in situ: the role and impact of sensors in data-to-sound transposition installations.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Glenn McGarry, Alan Chamberlain, Andy Crabtree, Christopher Greenhalgh	The Meaning in "the Mix": Using Ethnography to Inform the Design of Intelligent Tools in the Context of Music Production.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Wei Zhao	Ubiquitous Music-Making Systems: A Critical Overview of Current Practices.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Maksim Kukushkin, Stavros Ntalampiras	Automatic acoustic classification of feline sex.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Ian Clester, Jason Freeman 0001	Composing the Network with Streams.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Paul Cambourian, Oscar Gal, Arthur Paté, Simon Benacchio, Jérôme Vasseur	Understanding the vibrotactile feedback of the electric guitar: Methodology for a physical and perceptual study.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Seth D. Thorn	Telematic Wearable Music: Remote Ensembles and Inclusive Embodied Education.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Vincent van Rheden, Eric Harbour, Thomas Finkenzeller, Lisa Anneke Burr, Alexander Meschtscherjakov, Manfred Tscheligi	Run, Beep, Breathe: Exploring the Effects on Adherence and User Experience of 5 Breathing Instruction Sounds while Running.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Oliver Bramah, Xiaoling Cheng, Fabio Morreale	The Singing Gallery: Combining Music and Static Visual Artworks.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Josefine Hölling, Maria Svahn, Sandra Pauletto	Audio-Visual Interactive Art: Investigating the effect of gaze-controlled audio on visual attention and short term memory.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Vincent Lostanlen, Antoine Bernabeu, Jean-Luc Béchennec, Mikaël Briday, Sébastien Faucou, Mathieu Lagrange	Energy Efficiency is Not Enough: Towards a Batteryless Internet of Sounds.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Filippo Carnovalini, Antonio Rodà, Nicholas Harley, Steven T. Homer, Geraint A. Wiggins	A New Corpus for Computational Music Research andA Novel Method for Musical Structure Analysis.	Audio Mostly Conference	2021	DBLP DOI BibTeX RDF
53	Katharina Groß-Vogt, Robert Höldrich (eds.)	AM'20, 15th International Audio Mostly Conference, Graz, Austria, 14-17 September, 2020	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	John Granzow, Matias Vilaplana, Anil Çamci	Capturing kinetic wave demonstrations for sound control.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Otto Hans-Martin Lutz, Jacob Leon Kröger, Manuel Schneiderbauer, Jan Maria Kopankiewicz, Manfred Hauswirth, Thomas Hermann 0001	That password doesn't sound right: interactive password strength sonification.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Axel Berndt, Simon Waloschek, Aristotelis Hadjakos, Joachim Veit	Inside Beethoven!: a musical installation for a new listening perspective.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Andreas Greindl, Patrick Heidegger, Katharina Groß-Vogt, Marian Weger	Expergefactor: sonic interaction design for an alarm clock app.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Konstantin Semionov, Iain McGregor	Effect of various spatial auditory cues on the perception of threat in a first-person shooter video game.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Lukas Gölles, Franz Zotter	Directional enhancement of first-order ambisonic room impulse responses by the 2+2 directional signal estimator.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Angelika C. Kern, Wolfgang Ellermeier, Lina Jost	The influence of mood induction by music or a soundscape on presence and emotions in a virtual reality park scenario.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Agata Zelechowska, Victor E. González Sánchez, Alexander Refsum Jensenius	Standstill to the 'beat': differences in involuntary movement responses to simple and complex rhythms.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Christie Laurent, Dan Overholt	ReVoice: a control interface for 1d transmission-line analog vowel synthesis.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Omar Costa Hamido, Giovanni Amedeo Cirillo, Edoardo Giusto	Quantum synth: a quantum-computing-based synthesizer.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Dom Brown, Chris Nash, Thomas J. Mitchell	Was that me?: exploring the effects of error in gestural digital musical instruments.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	R. Michael Winters, Stephanie Koziej	An auditory interface for realtime brainwave similarity in dyads.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Natasha Barrett	Deepening presence: probing the hidden artefacts of everyday soundscapes.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Carolina Espinoza Oñate, Alonso Arancibia, Gabriel Cartes, Claudio Falcón Beas	Seeking for spectral manipulation of the sound of musical instruments using metamaterials.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Kyriakos D. Tsoukalas, Joseph R. Kubalak, Ivica Ico Bukvic	The impact of scaling the production of a new interface for musical expression on its design: a story of L2Orkmotes.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Samuel J. Hunt	Exploring polyrhythms, polymeters, and polytempi with the universal grid sequencer framework.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Robert Jarvis, Darrin Verhagen	Composing in spacetime with rainbows: spatial metacomposition in the real world.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Jing Yang 0022, Felix Pfreundtner, Amit Barde, Kurt Heutschi, Gábor Sörös	Fast synthesis of perceptually adequate room impulse responses from ultrasonic measurements.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Thomas J. Mitchell, Alex J. Jones, Michael B. O'Connor, Mark D. Wonnacott, David R. Glowacki, Joseph Hyde	Towards molecular musical instruments: interactive sonifications of 17-alanine, graphene and carbon nanotubes.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Hanns Holger Rutz	A pattern system for sound processes.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Luca Turchet, Samuel Joel Willis, Gustav Andersson, Alberto Gianelli, Michele Benincaso	On making physical the control of audio plugins: the case of the retrologue hardware synthesizer.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Disha Sardana, Woohun Joo, Ivica Ico Bukvic, Gregory Earle	Perception of spatial data properties in an immersive multi-layered auditory environment.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF
53	Paul Goddard, Benedict R. Gaster	PlayShell: a low-cost, fun audio experience for heritage centres.	Audio Mostly Conference	2020	DBLP DOI BibTeX RDF